Saturday 30 May 2015

Charles M. Schulz: Peanuts in the rain



[I]f 'poetry' means the capacity of carrying tenderness, pity, wickedness to moments of extreme transparence, as if things passed through a light and there were no telling any more what substance they are made of, then Schulz is a poet. If poetry means fixing typical characters in typical circumstances, Schulz is a poet. If poetry means producing from everyday events, which we are accustomed to identify with the surface of things, a revelation that causes us to touch the depth of things, then, every so often, Schulz is a poet. And if poetry were merely finding a particular rhythm and improvising on it in a ceaseless adventure of infinitesimal variations, making a constantly new universe from the otherwise mechanical encounter of two or three elements, well, in this case, too, Schulz is a poet. More so than many others.

Umberto Eco (1963/1994) The world of Charlie Brown, in Umberto Eco, Apocalypse postponed, ed. Robert Lumley, Bloomington and London: Indiana University Press and the British Film Institute, p. 36


Sunday 24 May 2015

Athens: through the broken glass


Victoria Station, 03.01.2014


The Gathering

Strange vibe circles round
Tries to comfort buzzing sounds
Form an arrow point at us
We the target are the one
Place your bet on the best
The fastest horse you can find

Drop yourself in the grass
Breathe the air at last
Hold on tight, don't fall down

Breathe the air
Through the water

Form an arrow point at us
We the target are the center
Find the key, lock the door
Close your eyes for encore

Drop yourself in the grass
Breathe the air at last
Hold on tight, don't you fall down

Breathe the air
Through the water

Find your peace, turn inside
You the target, you the center
Find the key, lock the door
Close your eyes for encore

Drop yourself in the grass
Breathe the air at last
Hold on tight, don't you fall down

Breathe the air
Through the water



Tuesday 12 May 2015

In an aleatory manner: Ray K. Metzker



Where photography has been primarily a process of selection and extraction, I wish to investigate the possibilities of synthesis. I began thinking of the entire roll as one negative... What I am talking about is complexity. When you approach one of the large composites, you see it more as an abstract design, and when you come in closer, you see a wealth of everyday information. There is no particular point of entry or procedure to the seeing; it is a multiplicity of elements operating in an aleatory manner. 
[Quoted by the Laurence Miller Gallery]

Thursday 7 May 2015