Years in a day: Cult of Luna

[Cult of Luna | Facebook]

Cult of Luna

See also:

Under my eyelids, come forth light

Transcend together and leave everything behind

But their light will show us the way

A day in the life: Frida Kahlo

The Broken Column, 1944 [WikiArt.org]

Frida Kahlo

Self Portrait With Necklace of Thorns, 1940 [WikiArt.org]

And we could share in every moment as it breaks

[Last.fm]

Chris Cornell

1964 – 2017 

The above version of Slaves & Bulldozers, incorporating lyrics from Led Zeppelin's In My Time of Dying, is the final song in the encore of what came to be Soundgarden's last concert in Detroit, 17 May 2017. 

With love and respect 

Goodbye, Chris

[Last.fm]

Chris Cornell, Soundgarden, Vancouver 1992, photograph by Lance Mercer [Morrison Hotel Gallery]

Frida Kahlo, by Lola Alvarez Bravo

Frida Kahlo, 1944 [Design Work Life]

Frida Kahlo | Lola Alvarez Bravo

Frida Kahlo, 1944 [Design Work Life]

See also: 

The art of photography: Lola Alvarez Bravo

Siren, by Theatre of Tragedy

[Discogs]

Theatre of Tragedy

See also:

So here we sway at the edge of the world, holding hands: 

a farewell to Theatre of Tragedy

Act like there's no tomorrow: 

A Nine Days Wonder by Theatre of Tragedy

A day in the life: Edvard Munch

Kiss by the Window, 1892 [Wikipedia]

Edvard Munch

The Kiss, 1897 [Wikipedia]

Kiss IV, 1902 [The National Museum]

Vital soundscapes: Allochiria

Photograph: Thomas Kotrotsios [Avopolis]

Allochiria

See also:

Soothing tears no more: Throes, by Allochiria

The Worker’s Maypole: Andrea Bowers

[Artstack]

Andrea Bowers

The Worker’s Maypole, An Offering for May Day 1894 

(Illustration by Walter Crane)

2015

Excerpt from the summary by Mark Godfrey, Tate:   

It is part of a larger body of work that Bowers started in 2012 using the same materials, which she chose to reflect those she saw being used that year in the Occupy encampments in New York, across the United States and elsewhere around the world, in protests against social and economic inequality. [...] 

Bowers’s work addresses contemporary political concerns through its use of everyday, inexpensive materials (in this case, reclaimed cardboard and permanent marker pen) and through slogans and questions which address the viewer directly. At the same time, she reflects on the historical precedents of current political campaigns in her choice of source material. Bowers also celebrates a continuity of political activism that links her work to a moment in the 1890s – represented by Walter Crane – just as Crane anchored his socialist message in the folk imagery of historical rural England. By making a link to both of these historical periods, Bowers shows that while some of the causes she discusses are prompted by very contemporary crises, the rights she demands are universal and timeless.